7" High Brightness Field / Camera-Top LCD Monitor with HDMI Loop-ThroughOwner's Manual (PDF) Spec Sheet (PDF)
- High Brightness 800 x 480 LCD panel
- DSLR Ratio Adjustment
- HDMI Auto Color Space and Ratio detect
- Manual Gamma Adjustment
- Adjustable Backlight
- Image Flip
- 1/4"-20 mounts on all sides (requires V-LCD70TMB-02 for side mount)
- Robust power switch and rugged front panel
- Variety of Markers, including user-adjustable
- HDMI Loop-Through*
- False Color On/Off
- Peaking Filter On/Off
- RGB Check Field / Field Detect
- 15:9, 16:9, 4:3, Pixel-to-Pixel modes
- 4 user-configurable function buttons
- Scratch Resistant Protective Screen
- RGB gain and bias control
- Variety of User-Replaceable Battery Adapters available
Shown with Redrock Micro
DSLR 2.0 Hybrid Rig The V-LCD70XHB-HDIPT is a high brightness monitor with integrated HDMI loop-through. This highly-desired feature allows the camera operator to pass-through the HDMI video input from the V-LCD70XHB-HDIPT to another monitor for a client, director or crew/talent member to view on-location. This handy "all-in-one" solution bypasses the need for HDMI splitters, additional power sources and other requirements necessary to split the signal.
The V-LCD70XHB-HDIPT monitor has been upgraded with even more features and versatility. Major features include HDMI pass-through, DSLR Ratio Adjustment, adjustable backlight and markers, HDMI Auto Color Space and Ratio detect, manual gamma adjustment, Image Flip, 1/4"-20 mounting on all sides, and a robust power switch.
This portable monitor is the perfect solution for video professionals shooting outdoors or in bright lighting conditions. Don't be fooled by higher screen resolution or sizes. Our picture performance, feature set, customer service, and experience is why the industry's leading photographers, videographers, and camera operators prefer Marshall over the competition. Our product is designed, engineered, and assembled in the USA.
This 7" monitor offers standard features including a wide variety of formats and markers, 4 user-configurable front panel function buttons, RGB Check Field / Field Detect, RGB gain and bias control, 4-pin XLR power jack, and optical grade polycarbonate screen protection. Two other major features include Marshall's industry leading FALSE COLOR and PEAKING Filters. These units also offer the ability to adapt up to nine different battery configurations for providing mobile operation in the field. This option provides flexibility when using different cameras or configurations. Our large selection of battery adapters can be interchanged (or "swapped" out) by the end-user.
*Content that is flagged with HDCP encryption will not display.
Guy Cochran of DVCreators.net demonstrates Monitor Calibration and Marshall features
DSLR RATIO ADJUSTMENT
Marshall's new DSLR RATIO ADJUSTMENT feature allows users to scale video that does not completely fill the monitor's screen when connected via HDMI in "Record" mode on certain Canon DSLRs. This new feature allows the user to scale their DSLR video output, fill the screen, and eliminate black pillar bars with a variety of options to choose from. The user has the option of choosing between NORMAL, 3:2, 16:9, and FULL SCREEN. The DSLR RATIO ADJUSTMENT feature can be programmed to one of the front panel's four-button presets for quick and easy access.
False Color Filter
The False Color filter is used to aid in the setting of camera exposure.
As the camera Iris is adjusted, elements of the image will change color based on the luminance or brightness values. This enables proper exposure to be achieved without the use of costly, complicated external test equipment.
To best utilize this feature, you must understand the color chart and have a basic understanding of camera exposure. Normally, when shooting subjects like people, it is common practice to set exposure of faces to the equivalent of approximately 56 IRE. The False Color filter will show this area as the color PINK on the monitor. Therefore, as you increase exposure (open the IRIS), your subject will change color as indicated on the chart: PINK, then GREY, then a few shades of YELLOW. Overexposed subjects (above 101 IRE) on the monitor will be shown as RED. In addition, underexposed subjects will show as DEEP-BLUE to DARK-BLUE, with clipped-blacks indicated with a FUCHSIA-like color. Lastly, the color GREEN is used to indicate elements of the image that are approximately 45 IRE. This represents a "neutral" or "mid-level" exposure commonly used for objects (not people).
Overexposed objects will display as RED
Underexposed objects show as
DEEP-BLUE to DARK-BLUE
Properly exposed objects will display elements of GREEN and PINK
The Peaking Filter is used to aid the camera operator in obtaining the sharpest possible picture. When activated, all color will be removed from the display and a black-and-white image will remain. The internal processor will display RED color on the screen where sharp edges appear. When the camera operator adjusts (or "racks") the focus control (on the camera lens), different parts of the image will have RED colored edges. This indicates that this portion of the image is sharp or in focus. Final focus is achieved by racking the camera lens focus control back and forth until the desired portion of the image has RED colored edges. Please note that this feature is most effective when the subject is properly exposed and contains enough contrast to be processed.
(1/4”-20 / 1/4”-20)
(1/4”-20 / 1/4”-20)
(1/4”-20 / 3/8")
a monitor onto your camera. Supports monitors up to 10".
*May require additional accessories.
More mounting accessories...
Camera 1/4" Hot Shoe Mount.
Sun Hood for 7" Monitor
The V-LCD-HI is an optional adapter that allows the user to accurately position their equipment for stable and level shooting.
Click here for more info >
The V-LCD-TB is an optional adapter that provides both Front and Rear tally functionality to Marshall's portable field monitors.
Click here for more info >
|Panel||Number of Panels||1|
|Panel Size||7.0” Diagonal|
|Resolution||800 x 480|
|Active Area||152.4 x 91.44 mm|
|Color Gamut||YUV, RGB|
|Viewing Angles (CR>=10)||170° x 170°|
|Loss of Input Curtain||Yes|
|Color Temperature||D65, D55 and D93|
|HDMI CSC Auto||Yes|
|HDMI Ratio Auto||Yes|
|Pixel to Pixel||Yes|
|Pre-set Gamma points||Yes|
|Modular Input Slot||No|
|Input Status Display||Yes|
|Control Inputs||Tally / GPI||No|
|RS-485/422 w/ Loop Through||No|
|Controls on front Panel||Yes|
|User-Defined Function Buttons||Yes|
|Power||Voltage||12V DC (7.5V DC-18V DC)|
|Consumption||1.20 Amp @ 12VDC (14W Max)|
|Connecter||4-Pin Male XLR|
|Environmental||Operating Temperature (C°)||32° F to 95° F|
|Storage Temperature (C°)||-14° F to140° F|
|Unit dimensions||7.03” x 5.67” x 2.17”|
|Weight (Main Body)||1.60 lbs|
|Mounting||¼”-20 Mounting Bracket|
|Available Battery Adapter Configurations||User-Replaceable Battery Adapters
"CM" - (Canon), "JM" - (JVC), "PM" - (Panasonic), "PV" - (Panasonic), "SB" - (Sony B series), "SL" - (Sony L series), "SM" - (Sony M series), "AB" - (Anton/Bauer), "VM" - (V-Mount)
* Pricing does not reflect freight costs and applicable taxes and duties
* Pricing, specification and features are subject to change